One of the things that I really want to do here on out is to explore not just where I get my ideas, but how I incorporate them into writing. In a lot of ways, I think all my acting classes have really helped me here, especially with getting under the skin of a character.

For those who haven’t heard the term sense memory, the short version is in acting, basically you’re using one of your senses to recall an emotional memory from a specific time to help flesh out the character you’re playing. For instance, I once played Anna in The King and I. During the letter scene where she learns the king is dying, I focused on the memory on the last letter that I’d received from my grandmother before she died from cancer – that I accidentally threw away, thinking it was a different letter. That feeling of loss, as well as focusing on the color and feel of the stationary, the memory of her writing, really helped with the mindset the director wanted from the scene. While they may not call it this, a lot of writers use this trick, as well. Granted, I would add the caveat that you want to make it work for you – you don’t have to go full blown method to make your writing believable, and anything that’s putting you through the wringer isn’t necessarily something that you should pursue just to say you’re adding to your craft. For me, personally, though (especially since it means I’m putting my degree to use), recalling specific bits of memories has helped me when I might be facing writer’s block on a particular situation or character. So off and on I’ll

So off and on I’ll proably touch on some of my own personal experiences and how I’ve used them. For instance, this thing right here. It’s a beaut that will leave you traumatized, but shows just how much mileage you can get from even awful times.

Some years back I was recovering from the flu and noticed that even months after, I still felt draggy. Not bad, just overly tired. I still did what I had to do, because that’s just how I live my life. At any rate, I had started back at seasonal main dayjob I had at the time, just gotten a promotion, and was dealing with some big transitions and a lot of work due to a lack of crew. I was preparing to see friends at Famous Monsters at the end of July, I think, and suddenly out of nowhere I started getting intense headaches. No prob, go to the doctor, sinus infection, get antibiotics, go on my way, just as I had times before because my allergies and sinuses like to work together to remind me who’s in charge from time to time.

Except this time, I didn’t go on my merry way. I reacted to the antibiotic, got a different one, okay, great, life goes on…except it didn’t. The pain pulsed out from the side of my nose and face to the back of my neck and down my back and sometimes the top of my head. It was like all my muscles were tightening and kept being tightened by some Inquisition-level torture device. While I was still exhausted and sinusy. I have no idea how I survived that convention other than one of my best friends kept an eye on me to keep me alive, except for the time I left a film screening early and nearly collapsed in a hall, which I never did tell her or others when asked how I was feeling, so people are just going to love me for this. Seriously, learn from my idiocy. At any rate, by time I got back from that adventure, I was subjected to lots of tests and lots of raised eyebrows. As in: Are you sure it’s not in your imagination? Have you thought about a neurologist? It may just be phantom pains, see if it goes away.

It took everything in me not to reply with how I was pretty sure I was in agony and couldn’t I just wait and see if they went away, instead? (Did I mention I’m not the biggest fan of doctors?)

By the time they decided it could be allergies and put me through that test and an attempt at weekly drops so hilarious it bordered on the sitcomy, I was also buzzing under my skin and it felt like an ice pick had been driven into the side of my nose all the time.  Diet changes, life changes, an extremely understanding boss, some fairly understanding side gigs, ten different doctors, loads of different prescriptions and otc meds, an offhanded comment that I should prepare that it could be cancer (right before Christmas and a month before I went to a new ENT), and finally maternal intervention so I didn’t lose my mind, took up my time. I’ve never been so wound up, so at the mercy of my body and everything I was putting into it in my life. I get why people lose hope because of a medical condition, because I was going nowhere fast, and in agony. My gp finally put me on the correct dose to kill the infection, and the ENT finally adjusted my allergy meds to reduce inflammation. And that’s when we found out what was really going on.

I’ll warn you, I won’t get detailed gory but you may want to scroll by the next paragraph if you’re squeamish.

So, I’d had jaw surgery when I was 16 or 17, and I’d even done a presentation on it in college, complete with illustrations of a line of screws that had been put in to hold my bones together until they healed. Apparently, though, that wasn’t quite right because I had some big honking brackets under my face, and by the way, they were coming lose and cutting through my nasal cavities. We won’t discuss how we found that out for certain, other than to say that if you’ve never felt anything rattle under your face, you’re missing out. So, that was fun. Add in a lot of phone calls to find a doctor who could deal with this, and like nearly a year after the initial exhaustion, I was getting de-borg-ed. It was a long, extended foray into pain, exhaustion, paranoia, the health care system, amazingly sensitive and insensitive reactions of others, and feeling utterly helpless. I still tense up every time I have a cold simply because I’m waiting for the other shoe to drop.

However, the experience dropped a huge amount of sense memory in my lap (not to mention a great name for the experience, the better to keep myself from crying at those memories). Not just the obvious physical feelings, either, but the exhaustion and long-term helplessness, of just wanting things to go right for a change, was directly funneled into Paddlelump in Olde School. Poor guy goes through one thing after another after another without relief, while facing the subtle and unsubtle judgment of others. That was definitely something I could relate to.

The physical feeling of different meds interacting added with not sleeping very much at one point contributed a lot to Jermiah in In the Red. While I haven’t lived the rock star lifestyle, I definitely know the feeling of not feeling in your own skin, of being there but not being in your body or in control, of everything running away with you, or opening your mouth and some other thing coming out that just isn’t you. And you’d be amazed the feelings of worthlessness you feel when you’re seeing yet another professional and can’t get across what’s going on because you just don’t know and you’re at the end of the rope, and they ask if you’re sure that’s what you’re actually feeling. So it definitely fit for a guy who sees demonic hallucinations and feels the effect of magical memorabilia at one point.

At one point there was also an incredible feeling of release and submission, if that’s the right word for it (I’d been doing a lot of meditating to try to not lose my mind and really got into Wayne Dyer around that time), a sensation of being on my knees and having to trust that things could work out, which also feeds into Jeremiah’s resolution, and in a lot of ways, to Paddlelump’s as well. Both characters have to be broken before they can move on. That feeling of being out of control feeds into a lot of the kind of thing I write, so I’ve gotten a ton of mileage out of the experience. It’s even fueled my short fiction, because I really didn’t have a choice but to keep moving forward and to go through it, and many of my characters have that journey to take, specifically those like Hunter Mann in The Ruins of St. Louis, an anthology story I did years ago.

I don’t feel the need to focus myself and try to bring everything into uber clear focus, because it still causes a pretty big knee jerk, but it definitely has given me a lot to work with.

And one of these days it will definitely provide a direct horror story inspired by the subject matter, but I may need a paper bag to breathe into to do it.

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In the Red isn’t in print at the moment (actually working on that, tbh), but you can get more information and some fun tidbits about Olde School here